1 hit on the R&B charts for seven weeks, inducted into the Rock and Roll Hall of Fame, recorded a bubblegum pop tune titled “I Want Candy”. The key is too high for the frontman, so he cracks and squeaks his way through, his yelp threatening to collapse under the strain. In March 2005, recording artist Tori Alamaze released “Don’t Cha” as her debut single. Its raw simplicity is admirable, but Bright Eyes’ gorgeous instrumental additions are what make their version so exceptional. Yet, in 1991, John Cale released a version on I’m Your Fan that sheds Cohen’s musical schmaltz and brought the song out of obscurity with its clean, solo piano lines. In 1992, Italian disco band Co.Ro. —Trevor Courneen, While many of their 2-Tone Records contemporaries like The Specials and Madness took pains to cover classic ska sides to establish their bona fides, The English Beat took a different tack, embracing easy listening schmaltz with the same fervor as the reggae artists that inspired them. The song got the band a TV appearance on the show 45, which eventually led to the band getting its own TV show based on their performance of the song. Lines like “I’d trade all my tomorrows for one single yesterday” hit especially hard in light of the legendary singer’s premature death, and her unparalleled vocals make this one an enduring classic. 4 spot on the Billboard Hot 100. Custom Dash Covers. In 1976, while she was on tour in England with her band The Runaways, Joan Jett watched Arrows perform the song on their show. The signature sounds of hushed guitar plucking and nearly-whispered vocals could easily fool anyone unfamiliar with Ben Gibbard’s early electronic days into thinking the song was an Iron & Wine original. The Talking Heads version of “Take Me To The River” is a shot of whiskey to the soul, all slow burn and lingering warmth, and centering on this notion that, as David Byrne wrote about in the liner notes for his former band’s best of album, it’s “a song that combines teenage lust with baptism.” And the way he and the rest of the Heads perform it, as a slow caress under the cover of darkness, it’s enough to leave you sweaty and spent. —Bonnie Stiernberg, The soft/loud theatrics of this song make it perfectly suited to Bjork, and while Betty Hutton’s 1951 original goes big as well, the Icelandic singer goes even bigger. It’s an odd reversal of roles almost—one would think the soul singer would convey the heartbreak perfectly and that a electro-pop duo would treat it with carelessly catchy beats. But the song was first performed and recorded by Los Angeles-based alternative band Ednaswap for their 1995 self-titled debut. —Robert Ham, Joni Mitchell’s original version of “Woodstock” is spine-tingling folk-jazz magic, a ruminative Wurlitzer ballad that perfectly captures the spirit of 1969—the Vietnam War, the counter-culture movement, and the titular festival that changed rock history. 2 on the Billboard Hot 100 list—just behind Prince and the Revolution’s “Kiss.”, Songwriting duo Jerry Leiber and Mike Stoller wrote “Hound Dog” for Willie Mae “Big Mama” Thornton in 1953. American guitarist Jeff Buckley is said to have heard Cale’s “Hallelujah” and was inspired to cover it on his only complete LP, 1994’s Grace. Most insurance plans will cover a set of preventive services at no cost to you. A strong closing is important, as it’s one of the few remaining elements between the cover and the resume. As interesting as some of those takes were, the best came from the California-based folk-rock band The Byrds. —Bonnie Stiernberg, When Ray Charles released Modern Sounds in Country and Western Music in 1962, the idea of an African-American artist recording country music was still something people had trouble wrapping their minds around. Its greatest triumph, however, rests with its timelessness and continued relevance, as newer bands continue to cover this song, often citing Costello’s version as the source of inspiration. American songwriters Gary Baker and Frank J. Myers wrote the love ballad “I Swear” for country music recording artist John Michael Montgomery, who released it in December 1993. 1 hit single in the United States for seven weeks and was certified platinum when it sold over one million units. 2 spot on the Billboard Hot 100 in 1983. All thumping darkness, it explores sexual power dynamics to a clubby yet menacing beat. Here, “You say that you’re my friend but you’re one of them!” comes across as the paranoid ranting of a Bedlamite rather than a rallying cry for disaffected youth. Or maybe the first version is equally compelling, but the cover artist reimagined it with such grandeur that many don’t even realize that it’s a new take on an old song. One of the songs that helped find a crossover audience was a passionate and driving take on a song first recorded by The Drifters in 1963. “(What’s So Funny ‘Bout) Peace, Love, and Understanding” asks a very real question in response to the cynicism of the day without making the song feel mawkish or a mockery of itself. 1 on the Hot 100 and was certified Platinum by the end of 1994. Originally released in 1978 as a single from The Patti Smith Group’s album Easter, Bruce had also included a version on his three-disc Live 1975-85 box set in 1986. The single reached the No. 8 spot in the United States in 1982. But boy, do they make every second count. While the authorship of the song “Hey Joe” is ambiguous and unclear, the earliest recording of the song dates to 1965, by the California-based garage band The Leaves. Amazing fit and protection tailored for your vehicle and your needs. —Robert Ham, The Kid Cudi original is also highly recommended, but this one’s notable because on paper, it should be terrible. When a song becomes popular, sometimes people forget (or are unaware) that the new hit actually originated with another artist. The Crystals’ devastating ballad “He Hit Me (and It Felt Like a Kiss)” was controversial upon its release in 1962, for narrating the inner justifications of a victim of domestic violence. 1 for cover letters: Address it to the hiring manager. This rendition never feels gimmicky and fits right in with the rest of Lissie’s own work. Find communities you're interested in, and become part of an online community! But Buckley’s tragic and untimely death also shrouds “Hallelujah” in a somber post-mortem reflection of love and life and their fleetingness. —Bonnie Stiernberg, It’s one thing to successfully cover someone else’s song and put your own spin on it; it’s another thing entirely to completely blow it out of the water. The mid-tempo beat allows Hill time to draw out syllables and intermittently mingle with Wyclef Jean and Pras Michel’s vocal riffing. In these opening sentences, you want to explicitly let the reader know which position you're applying for. In 1965, Otis Redding wrote and recorded the song “Respect." How to Start a Cover Letter Be direct. It’s partially due to the mildly quickened pace, but the main reason the cover is so memorable is because of its diverse roster of voices. It's not worth a panic attack or hyping paranoia, but it's important to know that these devices can be hacked. Private student loans from Discover can cover up to 100% of school-certified college and graduate school costs. Haworth recalls, “What I wanted was tight, low … What better way to tailor your cover letter intro to the company than by showing your love for it or your recognition of their objectives? —Sara Bir, Perhaps Metallica’s version isn’t better, but it’s epic in the listening pleasure it has to offer. All of these elements climb on top of each other to turn just a few humbly sung lines into a fuller, more textured song. Instead Marc Almond’s near-wails bounce over eerie synth beats, coupled with breathy echoes of choice lyrics. Shop All. —Hilary Saunders, Back in early 1990, when MTV was king and hair metal was, um, queen, a buzz-cut sporting Irish folk singer redefined his Purple Highness with a stripped-down cover and video to match. Asked by Julia W; Dec. 3, 2014 Flag as inappropriate I know they are described as 'over-ear' but do the cans fully cover the ear or more 'on' the ear? —Ryan Reed, It took three degrees of separation before Canadian singer-songwriter Leonard Cohen’s original composition “Hallelujah” reached Jeff Buckley. “Betrayal is too kind a word to describe a situation in which a father says he loves his daughter but claims he must teach her about the horrors of the world in order to make her a stronger person; a situation in which he watches or participates in rituals that make her feel like she is going to die. —Ryan Reed, Recorded just a few days before her death, Janis Joplin’s gorgeous version of this Kris Kristofferson-penned song would go on to be a posthumous hit—in fact, her only song to reach No. And of course, the track perfectly captures the unrequited romance of Margot and Richie in that unforgettable Royal Tenenbaums scene. —Ryan Reed, Cover versions superseding the original in the minds of music fans is not an unusual occurrence, but there’s something to be said about four skinny white kids from New York finding deep wells of soul and emotion that the Reverend Al Green and his Southern soul cohorts somehow missed. “Where do bad folks go when they die?” Cobain sings over the Puppets’ crawling, bluesy guitar fills and Dave Grohl’s subtly brushed drums. In 1997, pop star Natalie Imbruglia’s “Torn” was a No. The title track to the group’s ‘65 album, it set the tone for their work over the next few years (the tight-knit harmonies, the jangly guitars, the gently psychedelic notions) and continued canonizing Dylan’s poetic visions of one of America’s most vibrant and fraught periods. 1. But Nirvana transformed it into a simmering anthem, wringing out the turmoil from lyrics about hellfire and sin. Lennon had a cold at the time, and by the end of the day, his voice was nearly shot, but thankfully he was able to use that to his advantage and deliver a raucous take that sounds like it could fly off the rails at any second. Available in 8 fabrics. Shrieks and throaty growls complement the song’s brassy choruses, and “It’s Oh So Quiet” remains her highest-charting single to date. Alan Merrill and Jake Hooker—the frontmen of the British rock band Arrows—wrote and recorded the anthem “I Love Rock ‘n’ Roll” in 1975. Shaped by slow arpeggios played on a distortion-less electric guitar, Buckley’s voice builds over the nearly seven minute track to the point of nearly cracking with emotion. In 1967, they released a single called “The Tide is High,” written by band member John Holt. “Hound Dog” was inducted into the Rock and Roll Hall of Fame as one of the “500 Songs That Shaped Rock and Roll.”. Some cars have seatbelts that come directly out of the back of the seat, so the seat cover has to have special openings stitched in. Tambourine Man” were recorded in 1965 alone, the same year that Dylan released the original. Voila! From Courtney Love’s loud, snarling lips, backed with grunge guitars and mostly female musicians, the song transformed into the subversive indictment of male violence it was meant to be. What Part A covers. Cohen swathed his version in ‘80s synths and gospel tomes on his 1984 album Various Positions. “Pick up the receiver/ I’ll make you a believer,” Cash sings, and the essence is that prayer is your direct—and accessible—line to salvation. In an age when acts were pulling out all the visual bells-and-whistles to ensure heavy MTV rotation, O’Connor took a cue from her wailing confessional, breaking and comforting a generation of hearts in the process. There’s a reason why her arrangement is the one attempted countless times on virtually every TV singing competition and sung into hairbrushes at home by future divas: it is a grand showcase of technical ability. Just one month later, The Pussycat Dolls released “Don’t Cha” as their debut single, and the song received positive reviews and reached No. Soft Cell’s version was a No. Hence, the group was able to take a 1963 hit by crooner Andy Williams, tease out the romantic sentiments at its core, and turn it into something more slinky and spirited. Dylan later admitted then each time he performed “All Along The Watchtower” after Hendrix’s death, he viewed the song as a tribute to the man who reinterpreted and reinvigorated the song so completely. Blondie recorded it for their Autoamerican album, adding strings and a horn section (borrowed from Johnny Carson’s Tonight Show band). Plus it was recorded for a good cause as part of the impressive War Child presents Heroes album. The concept of frantically escaping a toxic relationship is handled correctly by Soft Cell. While the single only reached No. —Kim Kelly, To truly understand the greatness of Johnny Cash’s version of “Personal Jesus,” you have to be pretty familiar with Depeche Mode’s 1990 original—which isn’t too shabby itself. Cloud Rat’s version of “The Needle and the Damage Done” is tense, lightless, and unwaveringly bleak; the howling chaos and sheer darkness of their approach underlines the true horrors of heroin addiction. When Bryan Funck wraps his acerbic vocal chords around Cobain’s lonesome lament and his fellows chime in as a ghostly chorus, the effect is absolutely explosive. “It’s Oh So Quiet” remains Björk’s biggest hit, peaking at the No. —Tess Duncan, Something about Gloria Jones’ “Tainted Love” is just a bit too cheery. However there are some providers that offer specialised cover for over 50s , to help you find affordable life insurance. The Pussycat Dolls’ version went on to sell more than 6 million copies worldwide, while Alamaze was all but forgotten. Zero fees, choice of fixed or variable interest rates and cash rewards for good grades. When Mick Jagger sang “I’m gonna tell you how it’s gonna be/you’re gonna give your love to me,” he couldn’t have had any idea how right he’d turn out to be. In 1965, American singer Gloria Jones recorded the original version of “Tainted Love” as the B-side to the single “My Bad Boy’s Comin’ Home.” The song was a commercial failure, but gained a small cult following in underground British nightclubs in the late '70s. —Josh Jackson, It is a rare but beautiful thing when a cover can right a song in history. When Hole covered “He Hit Me” for their 1995 MTV Unplugged recording, it was nothing short of a triumph. The song was a B-side to Hutton’s single “Murder, He Says.”. The misty, lingering chords and Maria Taylor’s forlorn whisper-singing during the outtro is just icing on the cake. yer blues, i will, helter skelter, happiness is a warm gun, julia - it's perfect. Penned by Buddy Holly’s bandmate Sonny Curtis in 1960 and later popularized by the Bobby Fuller Four, the track is basically one sunny chorus extended to two-plus minutes—but what a chorus it is. Neil Diamond also covered the song in 1992, but Ace of Base’s version is the most popular. Then, in 1981, Joan Jett recorded a version of “I Love Rock ‘n’ Roll” with her new band The Blackhearts. —Amanda Schurr, Released just six months after Bob Dylan’s original from the 1967 John Wesley Harding sessions, Jimi Hendrix’s cover of “All Along The Watchtower” has since become the definitive version of this song—the one that all the little kids want to learn when they first pick up their Squier starter packs. —Bonnie Stiernberg, The Ramones took this already-lean Bobby Freeman original (also famously covered by the Beach Boys) and trimmed it of any remaining fat—like many a Ramones song, it clocks in at under two minutes. Where does your seatbelt come from? It’s a performance of raw magnetism and one of the most striking moments in the band’s discography. Chan Marshall’s version, by contrast, is of a piece with most of the material she recorded for her 2000 Covers Record. —Tess Duncan, Although Roberta Flack’s “Killing Me Softly” is timeless, Lauryn Hill brought something entirely new to the table when the Fugees covered it in 1996. A number of recording artists throughout the years have covered the song, but Imbruglia’s version is the most successful and popular iteration of the hit single, and it earned her a Grammy nomination for Best Female Pop Vocal Performance. Lauper was nominated for two Grammys for the song, including Record of the Year and Best Female Pop Performance. “What have I become, my sweetest friend?/ Everyone I know goes away in the end.” Trent Reznor’s dissonant original—recorded for the second NIN album, 1994’s The Downward Spiral—is often interpreted as a suicide note. It was the only take he could muster, but it was also the only one he needed; “Twist and Shout” shot to No. —Bonnie Stiernberg, When The Boss released 2010’s The Promise, a collection of outtakes and rarities from the Darkness on the Edge of Town era, fans rejoiced at hearing the original recording of the song co-written with Patti Smith. He accentuates the allusions in “Hallelujah,” but renders it both spiritual and secular. Hendrix doubled the length of the song on the Electric Ladyland studio version, but often performed it live with even longer squealing jams. Ike and Tina Turner’s take on this CCR song isn’t just better than the original; it’s better than most songs, period. Let them know with this method: “Arm-wrestled” becomes “mud-wrestled.” “Chuck the chuckwagon” becomes “fall off the wagon.” “If your lovin’ is good and your cooking ain’t greasy” morphs into “if the lovin’ is good and freaky and easy.” Most significantly, Father John Misty ditches the outdated verse about June Carter doing chores in the White House for President Johnny Cash and adapts it for these times: “If I ran the country/you’d be my First Lady/we’d smoke cigarettes at the end of the day/and spy on civilians and put brown folks in prison/If your dad’s got some money, I think I can run.” —Bonnie Stiernberg, Already a beloved figure in the jazz world, George Benson became an international superstar when he decided to fold elements of soul and R&B into his already potent post-bop sound. So now it's over to you to start saving money today! 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