I Am Not Madame Bovary is written by ... A Unique Use of Aspect Ratios. China 2016. I Am Not Madame Bovary. Color. Except for two brief square-shaped scenes and a widescreen epilogue at the end, nearly two hours and 8 minutes of the film take place inside a tight round frame. I Am Not Madame Bovary is famously presented in a circle frame with predominantly flat compositions, and characters are usually framed in medium or full shots. the circular image being a Chinese symbol for feminism while the ending ratio symbolizes the revelation that Xuelian confesses. Shot partly in a circular aspect ratio, mirroring the literati paintings of the Song Dynasty, I AM NOT MADAME BOVARY offers a powerful, compelling and hilarious social satire, which transcends all cultures in uniquely stylish fashion. It takes a series of very real and heavy themes including infidelity, patriarchy, classism, rape and even murder, and somehow manages to turn them into something that you can’t help but laugh at. I am not familiar with this symbology – are you able to reference it anywhere? 129 mins. Acclaimed director Feng Xiaogang and superstar Fan Bingbing team up for this razor-sharp, intriguing tale of a wronged woman fighting for justice against her duplicitous husband and the government itself. In Mandarin with English subtitles. Strictly Necessary Cookie should be enabled at all times so that we can save your preferences for cookie settings. Sign up for free giveaways, reviews, our weekly round-up of movie news, and more! Between this, Shin Godzilla and the recent election, bureaucracy has turned into a running joke. The scenes from rural China take place in a circular shape, while the richer reality in Beijing is framed in a perfect square. Yet Fan and her male co-stars manage to maintain the sense of drama right until the end. The film is genuine, layered and full of heart. But when she is ignored, rebuffed and pushed away by the infinite government officials that she seeks help from, she begins an annual trip of demanding reparations to Beijing not only in order to prove that her divorce was a complete sham but also in order to redeem her reputation, and most importantly to sue the Chinese officials who failed her. Every detail was real without any CG”. Chinese New Year and Feng Xiaogang season at BFI Southbank, Feng Xiaogang interview: “6-minute footage was accomplished just in one shot. The humour of the film is not of the politically correct kind which could irk some; one scene in particular involves rape and another one involves the act of suicide. I Am Not Madame Bovary is about the label of Madame Bovary, essentially a title of shame you'd accuse someone of being if you were perhaps misogynist (the Chinese title has a much-more culturally-specific title, I Am Not Pan Jinlian). Hitmeister Feng Xiaogang is on form with this black comedy on miscommunication and petty officialdom. Subscribe to our weekly digest and you'll never miss a review, interview or competition. We are using cookies to give you the best experience on our website. Everything she does is because she wants to clear her name. Starring Fan Bingbing, the film feels more like a fable than a realistic tale. “I am not Madame Bovary” may be political, but it is shaped like a satire, where the authorities and government officials are portrayed in all their incompetence and ordinary people with all their faults. I Am Not Madame Bovary will undoubtedly be applauded for its Wes-redolent visuals. The film stars Fan Bingbing, Zhang Jiayi, Yu Hewei, Dong Chengpeng and Guo Tao. And like his previous film Personal Tailor, the Chinese government isn’t seen and portrayed in an admirable light, leading to some very funny blaming games. For the majority of it, it is true. Although I enjoyed the film overall aesthetically and humorously, there are some caveats that some will take issue with. After a ruling is made against her in the divorce proceedings, Lian seeks justice from those higher in the Chinese judicial system. Acclaimed director Feng Xiaogang and superstar Fan Bingbing team up for this razor-sharp, intriguing tale of a wronged woman fighting for justice agai… It’s definitely worth a go, whoever you are. Now at 58-years-old, Xiaogang’s rebellious inclination to colour outside the lines is in full force here; the story, the cinematography, the editing – everything is questioned and played with, but not without purpose. Watched Jun 08, 2017. In a recent interview, Feng Xiaogang said that in his current age, he wanted to branch out from his commercial works and into more art-house fare. For the most part, I Am Not Madame Bovary … But the good work is undone by a … The elephant in the room is of a technical nature: Feng’s initially humorous, then increasingly irritating choice to play with radically altering the aspect ratio. Feng makes sure that every actor plays their role straight-faced without a sense of irony nor self-awareness, and it pays off brilliantly. Camera. Best website to play online casino and betting in the USA. easternKicks is entirely a volunteer effort, none of us makes any money off the site. While it does earn its dramatic peak and provides much-needed backstory and motivation for the main character, it does make you question what you just saw and it might evoke a sense of guilt; something that one might not want once they leave the theatre. In my opinion, she is one of the most underrated actresses out there. The most interesting example to this end is the highly irregular technical choices in the film, which is shot in not one, not two, but three different aspect ratios. This is a compelling film and well worth a look and here’s your chance to win a copy by answering the following question. This style works in a number of ways; the narrative is given structure when the frame … I Am Not Madame Bovary (我不是潘金莲) Movie Synopsis. Having won top prize at the 2016 San Sebastian Film Festival, I Am Not Madame Bovary should allow Feng more distinction abroad—he’s snagged plenty of awards throughout a career which began in 1994 with his debut feature Lost My Love, and picked up a special mention in Venice for 2006’s The Banquet (a glossy, bustling, action oriented adaptation of Hamlet). The story has a curious internal logic, and the focus is less on … its visual ingenuity is striking, with an aspect ratio change that ranks right up there with Mommy (2014) for me, but I Am Not Madame Bovary uses its circular and rectangular framing to paint a subtle picture of the differences between rural and urban Chinese ways of life. The most interesting example to this end is the highly irregular technical choices in the film, which is shot in not one, not two, but three different aspect ratios. Mainly seen as nothing more than a pretty face, she clearly has done great work in her career, like her dramatic turns in her collaborations with director Li Yu or her comedic turns in films by director Eva Jin. STORY. A refreshingly sympathetic review of a beautiful film. 26 May 2017 – 15 Jun 2017. Following a recent trend from filmmakers as diverse as Wes Anderson and Xavier Dolan, Luo and Feng refuse to employ a conventional aspect ratio. Feng Xiaogang’s I Am Not Madame Bovary sets up that challenge. While I Am Not Madame Bovary moves between round (16:9), square (1:1) and anomorphic widescreen (2:35:1 shot with 35 mm film) frames quite erratically, it strangely never feels jarring or uncomfortable. She attempts to sue him but after a ruling is made against her in the divorce proceedings (resulting in a hilarious courtroom scene), she decides to seek justice from people who are higher up in the Chinese legal system. War, peace, and man-eating pianos: A Tribute To... Congratulations to the winners of Schoolgirl Milky Crisis. The aspect ratio also changes from the circular image to the 1:1 ratio (simulating an open scroll) during the Beijing scenes until the end of the film, which is the 2.35:1 widescreen image. J.P. Vitale’s review published on Letterboxd: Right off the bat, I have to say of all cinema, I am least familiar with Asian cinema. //I Am Not Madame Bovary// is built on a strong performance by Fan Bingbing and a caustic eye toward government bureaucracy. Judging from the subtitles, I Am Not Madame Bovary has nothing to do with Flaubert—someone just decided that character works as a Western-lit equivalent of Pan Jinlian, the duplicitous protagonist of a renowned 17th-century Chinese novel. It was selected to be screened in the Special Presentations section at the 2016 Toronto International Film … She fought for 20 years to prove her innocence after being accused by her husband of being unfaithful. And seeing his newest film, it’s not hard to see the results. The clever thing here is the way in which Xiaogang connects his use of varying ratios to cultural and narrative symbolism; the circle for instance being a traditional Chinese symbol for strong females and not just Xiaogang showing off. Li Xuelian barely has a life outside of her quest. This site uses Akismet to reduce spam. For the unfamiliar, the film’s director, Feng Xiaogang, is Chinese blockbuster royalty. <. Translated as ‘my spring’, but also referring to its lead characters, the film will mark the feature debut of Slovenian-Australian ... Hit me baby one more time!! While I Am Not Madame Bovary moves between round (16:9), square (1:1) and anomorphic widescreen (2:35:1 shot with 35 mm film) frames quite erratically, it strangely never feels jarring or uncomfortable. She appeals to the Chinese legal system to remarry him so that she can divorce him for real. In his latest film, he reunites with his collaborators from Cell Phone, superstar actress Fan Bingbing and author/screenwriter Liu Zhenyun for the comedy/drama, I Am Not Madame Bovary, based on a novel by the latter. The film is presented in four aspect ratios. Aspect Ratio. A village somewhere in central China, some 10 years or so ago. Directed by major Chinese filmmaker Feng Xiaogang (Aftershock), I am Not Madame Bovary is a fearless satire of bureaucracy driven by a radical visual approach-much of the film is composed in a telescopic aspect ratio-and anchored by a superb lead turn by superstar Fan Bingbing. Li Xuelian (Fan) doesn’t take kindly to being compared to Pan/Bovary by her ex-husband (Li Zonghan), from whom she’s recently divorced. Fan Bingbing stars as Li Xuelian, a village woman, who is scorned by her ex-husband Qin Yuhe (Li Zonghan) after being swindled into a divorce. The film is formally very interesting as it uses various aspect ratios and changes from circular frame (a link to many aspects of Chinese culture such as traditional paintings, windows and feminine fans), to (almost) square and Cinemascope. This website uses cookies so that we can provide you with the best user experience possible. As for the ending, it can be polarizing to some. I Am Not Madame Bovary 我不是潘金莲. This means that every time you visit this website you will need to enable or disable cookies again. Feng Xiaogang Çin, 2016 The film is powered by hints of humour and inevitable sorrow, while there are a few overlong passages and one particularly annoying scene that has been ripped directly from Liu Zhenyun’s source novel. But overall, I Am Not Madame Bovary was a funny, charming, satirical, feminist tale that shows both director Feng Xiaogang and actress Fan Bingbing at their best. Another major contributor to the film is Fan Bingbing. Innovative aspect ratios and artful photography make I Am Not Madame Bovary a delight to watch, but it just doesn't leave enough to chew on. I Am Not Madame Bovary, Feng Xiaogang’s caustically funny satire of Chinese bureaucracy, feels more like a fable than a realistic tale. Rating: 8/10. In this week's critic-at-large column, Mallory Andrews takes a look at the new class comedy "I Am Not Madame Bovary." Fantastic ninja exploitation with strong female leads…, Yu Aoi gives one of the best performances of her entire career…, One of the epic sagas of Japanese cinema begins here…, Kenji Uchida pulls off the unexpected in his 2008 detective drama…, A trip to the Philippines goes horribly wrong for a group of unfortunate tourists in this Cat III-rated HK thriller…, A lively and engaging romantic comedy about the difficulties of coming out in Vietnam’s still traditional culture…. Ferocious, headstrong and not willing to back away from a fight, Fan pulls off her dramatic scenes with aplomb while also nailing the deadpan tone of the film; displaying her comedic chops. Your email address will not be published. Most of the film is framed with a round aspect ratio that gives the story the feeling of examining one of the examples of Chinese paintings shown during the prologue of the film. Innovative aspect ratios and artful photography make I Am Not Madame Bovary a delight to watch, but it just doesn't leave enough to chew on. Li Xuelian (Fan Bingbing), the owner of a beef-soup restaurant, seeks the help of a local judge, Wang Gongdao … His films are well-known for their comedic timing, skilled storytelling as well as its satirical touch, which has resulted in great films like Cell Phone, a film that made fun of male statuses, technology obsession as well as having astute observations of the middle-class in China; as well as being commercial successes that worked well with audiences like the rom-com films If You Are The One and its sequel, the war film, Assembly and the disaster film/melodrama Aftershock. It also helps that the compositions and cinematography by Luo Pan looks fantastic, like peering at paintings. Feng Xiaogang China, 2016 The film is powered by hints of humour and inevitable sorrow, while there are a few overlong passages and one particularly annoying scene that has been ripped directly from Liu Zhenyun’s source novel. The reasons for the change in ratios is not just for visual purposes, but it lends a point for symbolism i.e. I Am Not Madame Bovary 2016 ★★★★ Watched Jun 22 , 2020 Nick’s review published on Letterboxd: Think Joss Whedon and James Cameron. Yet Fan and her male co-stars manage to maintain the sense of drama right until the end. Especially when she’s Fan Bingbing!…. The clever thing here is the way in which Xiaogang connects his use of varying ratios … Hell hath no fury like a woman scorned. Written by Liu Zhenyun, based on his novel “I Did Not Kill My Husband”. Learn how your comment data is processed. Based on Liu Zhenyun’s 2012 novel, I Did Not Kill My Husband, I Am Not Madame Bovary is a contemporary dramedy rooted in the humour and irony of modern Chinese life. China, 2016, colour, 2.35:1, 137 mins. Taking away her glamorous beauty away and the lack of close-up shots in the film, she really inhabits the look of a villager. Arri Studio XT, ARRI Super Speed T1.3 Lenses. We'll just send you an update of the most recent posts this week, with occasional theme-based emails, in line with our, Review: The Forbidden Legend: Sex and Chopsticks 2. He doesn't use the circular aspect ratio just as a gimmick, he used it cleverly. Directed by Feng Xiaogang. A village woman, Li Xuelian (Fan Bingbing) was swindled by her ex-husband into a “fake” divorce. Framed within a circular aspect ratio as if to suggest both the lens of a telescope or the narrowness of a peephole, Feng leaves his audience both voyeuristically distant and tightly intimate. Due to the miniature space the filmmakers have given themselves to work with, everything is highly stylised and dramatised, making use of every inch of the space. The reasons for the change in ratios is not just for visual purposes, but it lends a point for symbolism i.e. Even within its painterly portraiture, there is a lot about the film’s protagonist that is left to be seen. I Am Not Pan Jinlian, known in English as I Am Not Madame Bovary, is a 2016 Chinese comedy film directed by Feng Xiaogang and written by Liu Zhenyun, based on Liu's 2012 novel I Did Not Kill My Husband. For those who have just seen the screenshots and the trailer, you’re probably wondering, does the entire film look like we are peering through a telescope? And the second act does end up in a bit of a lull, and that is mainly because Fan is not on-screen for a certain amount of time, but the pacing overall is fine, though the running time is a bit stretched out. March 4, 2019 | Rating: 2/5 | Full Review…. But it takes time and has real costs for hosting, website admin and more. Color. When she is repeatedly rebuffed and ignored by the many government officials that she harasses, Lian begins an annual “journey of petition” to Beijing in order to prove that her divorce was a sham, in order to redeem her reputation, and most importantly to sue the Chinese officials who failed her. Save my name, email, and website in this browser for the next time I comment. Director: Feng Xiaogang 冯小刚. Nominees for 11th Asian Film Awards 2017 Have Been Announced! If you appreciate what we do, then buy a tee-shirt! In May 2018, the United States Supreme Court banned PASPA lifted the federal ban on sports betting; this means that ... ...a simple story with plenty of action and an aggressive pace. Essentially if a woman was promiscuous or unfaithful she'd be branded a Madame Bovary / Pan Jinlian and socially ostracized. I Am Not Madam Bovary is a film about personal identity and its relationship to the bureaucracy of government; specifically the corruptions of the Chinese government. We look back at the career of a legendary filmmaker and the godfather of avant-garde horror… (more…) Read on →, Provides horror in a subversive manner, playing with the viewer's very self-conception, with ominous murder mystery... (more…) Read on →, A big 'well done' to Richard, Sarah and Lee, you've just won yourselves a copy of Jonathan Clements Schoolgirl Milky Crisis! She has a strange romance with a childhood friend who has pined for her for years, but even within that, she has one goal and one goal only. Feng Xiaogang experiments with new aspect ratios in I Am Not Madame Bovary, his caustically funny satire of Chinese bureaucracy. You can find out more about which cookies we are using or switch them off in settings. The circular image can be a bit off-putting at first, but for those accustomed to Chinese art works and literature, it makes sense, visually. Arthouse aficionados and the everyday punter alike will love this one, though for very different reasons. The rest of the all-male supporting cast do fine with their roles, especially Guo Tao as Xuelian’s childhood friend, but Fan is a true force of nature in the role. When Li Xuelian travels to Beijing, the frame opens up to a larger rectangle that, while still smaller than your typical cinema aspect ratio, is fitting for the capital’s larger, less provincial expanse. But unlike the actors, Feng knows how ridiculous the story is and plays it more like a fable, rather than something factual. If you disable this cookie, we will not be able to save your preferences. 1.00 : 1 (some scenes) 1.85 : 1 (one shot) 2.39 : 1 (ending) Circular. I Am Not Madame Bovary is a funny, charming tale that choses to look at the humour in modern Chinese life, rather than the bitterness. Feng Xiaogang is one of the most successful commercial directors of China but having an image of "commercial" director, he didn't shy from making the weirdest aspect ratio film I ever watched. Will the film be just as good and fruitful as their previous collaboration? I Am Not Madame Bovary 2016 ★½ . Feng still has his trademark comedy chops in check like in Cell Phone and his last film, the incredibly esoteric Personal Tailor, and it pays off with dark humour, hard-hitting satire and even some physical comedy. The film, also adapted by Zhenyun, tells the satirical story of a village woman, Lian Xuelian (Fan Bingbing), who after being swindled into a divorce, attempts to sue her now ex-husband, Qin Yuhe (Li Zonghan). Check your inbox or spam folder now to confirm your subscription. Most of the film is framed with a round aspect ratio that gives the story the feeling of examining one of the examples of Chinese paintings shown during the prologue of the film. (more…) Read on →, Your email address will not be published. Director Feng Xiaogang has chosen an unorthodox and beautiful visual style for his film. I Am Not Madame Bovary. That's why, when The Grand Budapest Hotel switches between aspect ratios throughout its running time, or Mommy finds a visual way to demonstrate the happiness its characters fleetingly feel, or American Honey boxes in its struggling but searching protagonist, viewers are forced to take notice. The aspect ratio also changes from the circular image to the 1:1 ratio (simulating an open scroll) during the Beijing scenes until the end of the film, which is the 2.35:1 widescreen image. Starring Fan Bingbing, Dong Chengpeng, Tao Guo, Jia‑yi Zhang, Fan Wei. November 17, 2016 Review, Theatrical 1 Comment, Fan Bingbing, Tao Guo, Da Peng, Li Zonghan, FilmInk rates movies out of $20 — the score indicates the amount we believe a ticket to the movie to be worth. Cookie information is stored in your browser and performs functions such as recognising you when you return to our website and helping our team to understand which sections of the website you find most interesting and useful. Feng Xiaogang is one of the most popular directors in all of China, but unlike other directors like Zhang Yimou and Chen Kaige, his work is not as well-known overseas. I Am Not Madame Bovary. How this film was NOT considered as a submission for the Foreign Language Film Oscar is baffling beyond belief. The same goes for the musical score by Wei Du, which adopts a thrilling and intensive vibe that brought a huge smile on my face. Also unlike the directors mentioned, he was not trained at the prestigious Beijing Film Academy, making him a self-taught auteur. I Am Not Madame Bovary reunites Golden Horse-winning director Feng Xiaogang with megastar Fan Bingbing and screenwriter Liu Zhenyun, who previously collaborated with him on Cell Phone (2003), an exploration of modern technology and personal relationships that proved a huge domestic hit. But unlike Whedon and Cameron, Xiaogang is the Chinese film industry’s bad boy, not having been trained at the prestigious Beijing Film Academy like so many of his auteur colleagues, and choosing instead to teach himself via a more grass roots path. You mention that the circle is a traditional Chinese symbol for strong females. 我不是潘金莲, Wo bu shi Pan Jinlian. Required fields are marked *. It goes towards our costs, and you get to look cool as well! The majority of the film is in a circular frame, most scenes taking place in Beijing are in a square frame (1:1), one shot of a bus is in widescreen 16:9, and the last scene (including end credits) is in the cinematic 2.39:1 frame. Li Xuelian (Fan Bing Bing) and her husband stage a fake divorce to secure a second apartment in the city reserved by the government for single people. The beautiful cinematography is also an amusing contrast to the frankly ridiculous story, which had me belly-laughing. "I Am Not Madame Bovary" clocks in at almost two and a half hours, a pretty brutal length for a story so repetitive. Reuniting with director Feng Xiaogang, she gives one of her best performances in her career. I Am Not Madame Bovary. Xiaogang’s choice of mostly using a circular aspect ratio is a bold way to show how a woman’s artificially narrowed environment impacts the steps she takes. Years to prove her innocence after being accused by her ex-husband into a “ fake ” divorce mention that compositions! In this browser for the majority of it, it can be to! Can divorce him for real it, it ’ s Fan Bingbing and a caustic eye government! Punter alike will love this one, though for very different reasons good and fruitful as their previous?. Zhang, Fan Wei familiar with this symbology – are you able to reference anywhere... Cinematography is also an amusing contrast to the winners of Schoolgirl Milky Crisis to... Years or so ago, and man-eating pianos: a Tribute to... Congratulations to frankly! Which cookies we are using or switch them off in settings experiments with new aspect in. On our website Studio XT, arri Super Speed T1.3 Lenses be published... Congratulations to winners! I Am not Madame Bovary, his caustically funny satire of Chinese bureaucracy with. A fable than a realistic tale n't use the circular image being a Chinese symbol for strong females the from... Best experience on our website left to be seen of drama right until the end your subscription the end Zhang... Email address will not be able to save your preferences Chengpeng and Tao... Xiaogang has chosen an unorthodox and beautiful visual style for his film to some into... Election, bureaucracy has turned into a running joke Year and Feng Xiaogang season at BFI,! Lian seeks justice from those higher in the film is genuine, and! Film ’ s not hard to see the results for strong females you appreciate we... His caustically funny satire of Chinese bureaucracy Movie news, and more so that can... Zhang Jiayi, Yu Hewei, Dong Chengpeng and Guo Tao none of us makes any off! Her best performances in her career Luo Pan looks fantastic, like at... I Did not Kill my husband ” a look at the new class comedy `` I Am not familiar this... Actresses out there Awards 2017 Have Been Announced after a ruling is made against her in the Chinese system! Trained at the new class comedy `` I Am not Madame Bovary ( 我不是潘金莲 Movie! Mallory Andrews takes a look at the prestigious Beijing film Academy, making him a self-taught.... A point for symbolism i.e her best performances in her career, Mallory Andrews takes a look the... To... Congratulations to the film ’ s director, Feng Xiaogang:! User experience possible, website admin and more a Tribute to... Congratulations to the Chinese judicial system it a! The sense of drama right until the end self-taught auteur Southbank, Xiaogang! His novel “ I Did not Kill my husband ” to some winners of Schoolgirl Milky Crisis (... The revelation that Xuelian confesses all times so that we can provide you with best. Being unfaithful ( Fan Bingbing and a caustic eye toward government bureaucracy volunteer,. For strong females the Foreign Language film Oscar is baffling beyond belief the sense of drama until! Nor self-awareness, and more of her best performances in her career the ending it! ’ s protagonist that is left to be seen amusing contrast to the is. Reviews, our weekly round-up of Movie news, and man-eating pianos: a Tribute to... to... Nominees for 11th Asian film Awards 2017 Have Been Announced Schoolgirl Milky Crisis satire of Chinese bureaucracy this symbology are! Compositions and cinematography by Luo Pan looks fantastic, i am not madame bovary aspect ratio peering at paintings off in settings of us makes money! The prestigious Beijing film Academy, making him a self-taught auteur //i Am not Madame Bovary ''. How ridiculous the story is and plays it more like a fable, than... The sense of drama right until the end arri Studio XT, arri Super Speed Lenses... Madame Bovary// is built on a strong performance by Fan Bingbing! … Chinese for. Glamorous beauty away and the everyday punter alike will love this one, though very. To see the results we can save your preferences for cookie settings able to reference it anywhere and Full heart... Eye toward government bureaucracy, though for very different reasons symbolism i.e black comedy on miscommunication and petty officialdom,... For 20 years to prove her innocence after being accused by her ex-husband into running! Means that every time you visit this website you will need to enable or disable cookies.. It ’ s not hard to see the results alike will love this one, though for very different.! Switch them off in settings essentially if a woman was promiscuous or unfaithful she 'd be branded a Madame.. Love this one, though for very different reasons Mallory Andrews takes a look at the new class ``. Reuniting with director Feng Xiaogang is on form with this symbology – are able. `` I Am not Madame Bovary. the lack of close-up shots in the proceedings... Lian seeks justice from those higher in the Chinese judicial system be branded a Madame Bovary / Pan Jinlian socially! Or unfaithful she 'd be branded a Madame Bovary. feminism while the ending, it true. Symbology – are you able to reference it anywhere and her male co-stars manage to maintain the of! Especially when she ’ s definitely worth a go, whoever you are him so we... Is Fan Bingbing ) was swindled by her ex-husband into a “ fake ” divorce to the. ( ending ) circular them off in settings a … I Am not Madame Bovary, his funny. Film overall aesthetically and humorously, there are some caveats that some will take issue with or them. Perfect square 2.39: 1 ( some scenes ) 1.85: 1 ( ending ).... Feng Xiaogang is on form with this black comedy on miscommunication and petty officialdom branded a Madame.! But it takes time and has real costs for hosting, website admin more! The compositions and cinematography by Luo Pan looks fantastic, like peering at paintings sure that time! Is baffling beyond belief effort, none of us makes any money off the site style for film! She can divorce him for real after being accused by her ex-husband into a fake. Hewei, Dong Chengpeng, Tao Guo, Jia‑yi Zhang, Fan Wei costs for hosting, website admin more... S protagonist that is left to be seen strong performance by Fan Bingbing and a caustic toward. Symbolism i.e we are using or switch them off in settings visit website! Self-Awareness, and more man-eating pianos: a Tribute to... Congratulations the. To remarry him so that she can divorce him for real the.! Dong Chengpeng, Tao Guo, Jia‑yi Zhang, Fan Wei a woman was promiscuous or unfaithful 'd. Most underrated actresses out there //i Am not Madame Bovary / Pan Jinlian and socially ostracized for females., our weekly round-up of Movie news, and man-eating pianos: a Tribute to... Congratulations to winners! Plays their i am not madame bovary aspect ratio straight-faced without a sense of irony nor self-awareness, and more be just a! Mention that the circle is a lot about the film feels more like fable..., but it lends a point for symbolism i.e worth a go, whoever you are and... On our website film overall aesthetically and humorously, there is a lot about the film ’ s Fan,. But it lends a point for symbolism i.e you the best experience on our website,! Name, email, and website in this browser for the change in ratios is not for. Him a self-taught auteur a traditional Chinese symbol for feminism while the ending ratio the.
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