Because of the slanted theater floor the ceiling changed from 13 feet to 26 feet. Steve Cropper: I think Roger actually came up with the idea.But Jon Tiven, who's a co-producer, had some titles for the album, and I did too.He said, "I talked to the record company, and they'd really like to have the album titled after one of the songs. To contact the forum owner hit the Contact Us link. The Beatles Tennessee Connections 2. posted by PrimaryWave / Comments: No Comments / Tags: There is no tags . The Legendary Steve Cropper Talks New LP “Fire It Up’ & Stories Of Otis Redding, Albert King & Stax. Why I use a Telecaster! The Fender Telecaster is one of the biggest selling legendary guitars in history. Strat-Talk.com is an independent, member supported forum and is not affiliated with Fender Musical Instruments Corporation. Cropper and guitarist Charlie Freeman formed the Royal Spades, who eventually became the Mar-Keys. in "Soul Man"). If not the most influential guitarist in the Memphis soul music scene, Steve Cropper is definitely near the top. in "Soul Man"). On ‘Thunder Road’, Springsteen sings: “I’ve got this guitar, and I learned to make … Steve Cropper was born on 21 October 1941 in Dora, Missouri. Steve Cropper, Soundtrack: Easy A. That’s about it - I’m still a Fender man at heart, in terms of Leo Fender’s Telecaster that he built, I have several - but I think we’ve streamlined this one. Steve Cropper to play “The Thrill Is Gone: A Tribute To B.B. Steve Cropper: I wanted to be a rhythm guy. References 1. If soul music could only have one guitar, that would be the Telecaster of Steve Cropper, who plays on songs like Soul Man, (Sitting on) The dock of the bay, In the midnight hour, Knock on Wood and Green Onions; making our protagonist the guitarist with the most soul in history. Now what I play, I play the active pickups from the old Generation series, and those work just perfect for me. Date: January 3, 2020 . Seems like a really down to earth guy. If not the most influential guitarist in the Memphis soul music scene, Steve Cropper is definitely near the top. After years of being a team player, Steve Cropper got to make a solo album for the label he helped put on the map, Stax Records (actually their Volt subsidiary). Steve Cropper answers the question: \"Why a Telecaster?\".Steve is a producer, songwriter, and soul man. I was like, "Hey, we're going to 'fire it up' in 2021!" “I spoke with Hartley Peavey and said, ‘I need to put a Tele-style guitar on the market for under $1,000.’ He … Visit us here:https://www.musicianshalloffame.com/See the whole Backstage catalog here: https://www.musicianshalloffame.com/musicians-hall-of-fame-backstage/Support the Museum here:https://www.musicianshalloffame.com/donations/ It has also been represented in the majority of the great ‘references’ of each style that has marked particular epochs (the blues with Muddy Waters, rock and … The importance of its sound stretches from the most primitive blues of the 50s to indie, which reigns today, passing through each and every one of the styles that have arisen. ). Home. He was a member of Booker T. & the M.G.s', wrote songs for and performed with Otis Redding, Aretha Franklin and Sam & Dave (he's the Steve referred to when they say "Play it, Steve!" 31. Steve Cropper is full of life and musical experiences, having worked, and is still working with the pantheon of artists, mostly whom are still close friends. Also notice how heavy Steve penciled in Harvard and Ampex for the Amps in 66. So, what is the source of the Telecaster’s universal appeal … As you might figure, it turned out as an instrumental soul album, and a darn good one, too. Very Conclusive Evidence that a Harvard was his Amp in the studio. These next two are drawings made by Steve Cropper showing how things changed from 1961 to 1966. Interview with the Musicians Hall of Fame and Museum . :sm02: https://www.youtube.com/watch?v=s1BgpHwelnU Used, but the guy threw in an amp with it. in case anyone’s in the market https://www.mecum.com/lots/FL0120-40677 ... elecaster/ Interview with the Musicians Hall of Fame and Museum . Deplorable, Steve Cropper! “It was the cherry red stereo model,” he remembers. Born in 1941, Steve Cropper grew up on a farm near Dora, Missouri, before relocating to Memphis at the age of nine. Yes, I know we're a Strat site but Steve's shares his own story about how a became known as a Tele guy and what it was like in the late '50s and early... Log in / Register. Discussion in 'Sidewinders Bar & Grille' started by soulman969, Feb 10, 2021. Photo: Dennis Carney. King” – February 16 & 17 at The Capitol Theatre in Port Chester, NY ... Why I use a Telecaster! Eventually, the Mar-Keys began playing on sessions and had a hit single of their own with "Last Night" in 1961. The name referred to the marquee outside Stax studios, known as Satellite Records at the time. Fender Stratocaster Steve Cropper Fender Esquire Famous Guitars Slide Guitar Allman Brothers Beautiful Guitars Vintage Guitars Electric Guitars. Felix Cavaliere (left) and Steve Cropper. More information... People also love these ideas This is the first guitar with a bolt-on neck. Designed in his garage by Leo Fender with pieces from the local hardware shop. I find it interesting that he is one of the most prominent Tele players, and still doesn't talk like he's superior and more knowledgeable than everyone else. ".Steve is a producer, songwriter, and soul man. Cropper played a Gibson ES-335, a model he’d worked with off and on since his days with the Mar-Keys. Practicality. I had this small amp that I recently donated to the Smithsonian – a small Fender Harvard amp – and it came with my first electric guitar that my dad bought me. He was a member of Booker T. & the M.G.s', wrote songs for and performed with Otis Redding, Aretha Franklin and Sam & Dave (he's the Steve referred to when they say "Play it, Steve!" Saved by Bill Kennedy. It’s certainly closer to Steve Cropper’s tone than Danny Gatton’s, and in rhythm and lead modes this Tele can cut through any mix with its extended but shrill-free treble. Sam and Dave gave him his first “Play It Steve” shout out in “Soul Man,” as did the Blues Brothers when they covered the tune. Steve Cropper with his Telecaster I think it was just on-the-job training. Brian May took a break from his homemade guitar, the Red Special, to play a Tele in Queen’s “Crazy Little Thing Called Love.” Brad Paisley favors Teles for most of his hits, including “Alcohol.” You can even hear Steve Cropper’s Tele sound in the timeless blues-rock standard “Green Onions” by Booker T. & the M.G.’s. Bruce Springsteen. Steve Cropper answers the question: "Why a Telecaster? Guitarist and BMI songwriter Steve Cropper donated three solid-body guitars and an amplifier to the Smithsonian’s National Museum of American History during a special ceremony today, where he also gave a showcase performance of several legendary works he contributed to the American songbook using the instruments. The trio format, I realize only now, in a way suited my guitar approach well: I’m not talented or domineering enough to want to play a lot of lead, and in some ways I can find more interesting things to … A look to die for, although, at the time, totally out. The decade would later see further big changes … Home. Cropper also had a Peavey signature model, the Cropper Classic, created because he envisioned a quality, affordable Telecaster-like guitar for beginning guitarists. The Cropper Classic is the result of a collaboration between Peavey and legendary guitarist Steve Cropper. Second, Steve Cropper left Stax Records in the fall to establish his own studio, TMI, where he would play with and produce artists such as Jeff Beck, John Lennon, Ringo Starr, Tower of Power, Rod Stewart and many others. Watch the great interview with the Musicians Hall of Fame and Museum! Everyone from heady punk rockers like D Boon to avant-jazz cats like Bill Frisell to soul sidemen like Steve Cropper to otherworldly virtuosos like Danny Gatton all adopted the Telecaster as their instrument of choice. Most guitar players want to play every note they learned all over the place. “Hot,” as in blazing sun at the Atlanta Pop Festival. Interviewed by the Musicians Hall of Fame founder and CEO, Joe Chambers.See the whole interview here: https://www.youtube.com/watch?v=8Ws_QuY-f3EThis was recorded at the Musicians Hall of Fame and Museum in Nashville, TN. I looked at the list of song titles, and Fire It Up seemed to be the right one. Combining Steve's insight with Peavey's expertise in guitar manufacturing resulted in a versatile, fully-professional instrument with a personality all its own. Steve Cropper became a solidbody guitar guy years ago after a particularly hot gig with Booker T. & the MGs. He uses a blonde 1968 Telecaster with a Gibson PAF Pickup, a 1960 Lake Placid blue Telecaster Relic, and a 1972 Telecaster Deluxe, while his time with Blur saw him use a reissue 1952 blonde Telecaster. Everything simple, reliable, efficient. Inspired by guitarists such as Chet Atkins and Lowman Pauling of the Five Royals, he received his first guitar at the age of 14 via mail order and … Main Stratocaster Guitar Discussion Forum, (You must log in or sign up to reply here. Before they were called Booker T. & The MGs, the first song the house band for Memphis’ Stax label cut on their own was the instrumental “Green Onions” – which went to number one on the R&B chart and number three on … Cropper wrote and played on this classic tune to the vocals of Guy Sebastian In The Midnight Hour. Steve played at the August 2008 Rhythm Festival alongside The Animals[3] On July 29, 2008, Cropper and Felix Cavaliere released, Nudge It Up A Notch on Stax Records. 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