Despite the initial negative reviews from Italian critics, at a grassroots level its popularity spread and over the film's theatrical release, grossing 2.7 billion lire (US$4.4 million) in Italy, more than any other Italian film up to that point,[34] from admissions of 14,797,275 ticket sales. I decided it was time to be an anti-hero. Harrison, however, had not been impressed with his experience on that previous film and refused. He claims a thematic debt, for both Fistful and Yojimbo, to Carlo Goldoni's Servant of Two Masters—the basic premise of the protagonist playing two camps against each other. The Stranger bids farewell, and rides away from town in the film's last shot. It’s fair to say that no one had any great expectations for A Fistful of Dollars. It is a “Spaghetti Western” and stars one of the most iconic actors of all time, Clint Eastwood. He is a morbid, amusing, campy fraud". Leone reportedly took to Eastwood's distinctive style quickly and commented that, "More than an actor, I needed a mask, and Eastwood, at that time, only had two expressions: with hat and no hat. The Dollars Trilogy is the unofficial, overarching name assigned to Leone's trio of films. • Listen free to Ennio Morricone – A Fistful Of Dollars (Main Title, Almost Dead and more). The Stranger, spying an opportunity to make money from the situation, decides to play both families against each other. Below you may find the answer for: A Fistful of Dollars director Sergio crossword clue.This clue was last seen on Wall Street Journal Crossword April 7 2021 Answers In case the clue doesn’t fit or there’s something wrong please let us know and we will get back to you. Believing he is protected by the Baxters, the Rojos set fire to the Baxter home, massacring them as they flee the burning building. [10], Eastwood was not the first actor approached to play the main character. [40] This adds up to $18.9 million grossed in Italy and North America. Harrison suggested Eastwood, who he knew could play a cowboy convincingly. The film's music was written by Ennio Morricone, credited as Dan Savio. He learns from Silvanito that Ramón had framed Julio as cheating during a card game, and taken Marisol as a prisoner living with him. A Fistful of Dollars. A Fistful of Dollars launched the spaghetti Western and catapulted Clint Eastwood to stardom. Cloudflare Ray ID: 64322443cd9e60eb Leone asserted that this rooted the origination of Fistful/Yojimbo in European, and specifically Italian, culture. A Fistful of Dollars (1964) Plot Synopsis. [9] Actor and friend of Leone Mimmo Palmara told a similar story to Valerii, saying that Barboni had told about Yojimbo to him and he would see it the next day with Leone and his wife Carla. [6] The film has been identified as an unofficial remake of the Akira Kurosawa film Yojimbo (1961), which resulted in a successful lawsuit by Toho, Yojimbo's production company. Next, Leone offered Charles Bronson the part. Don't forget the heart. Your own words, Ramon. Ennio Morricone – A Fistful Of Dollars. "[51] Leone ignored the resulting lawsuit, but eventually settled out of court, reportedly for 15% of the worldwide receipts of A Fistful of Dollars and over $100,000. Leone wanted an operatic feel to his western, and so there are many examples of extreme close-ups on the faces of different characters, functioning like arias in a traditional opera. All three films were later released in sequence in the United States in 1967, catapulting Eastwood into stardom. A Fistful of Dollars. [35][36] The film sold 4,383,331 tickets in France and 3,281,990 tickets in Spain,[37] for a total of 22,462,596 tickets sold in Europe. During a conference with Morricone over the music in the film a recording of Tevis's Pastures of Plenty was played. Find the perfect A Fistful Of Dollars stock photos and editorial news pictures from Getty Images. He then sees an opportunity to make some money by working both sides. With a steel chest-plate hidden beneath his poncho, he taunts Ramón to "aim for the heart" as Ramón's shots bounce off, and Ramón exhausts his Winchester rifle. When a trumpet hits a solo on "Theme From Fistful of Dollars," backed by chilly strings and Spanish-strummed acoustic guitars, it's one of Byronic, beautiful, spacious solitude. The series has … [39] It eventually grossed $14.5 million in the United States and Canada. [8] The film was at first intended by Leone to reinvent the western genre in Italy. [10] Leone himself would suggest that he wrote the entire screenplay himself based on Tessari's treatment. [23] This is quite different from Hollywood's use of close-ups that used them as reaction shots, usually to a line of dialogue that had just been spoken. After challenging Ramón to reload his rifle, faster than he can reload his own revolver, the Stranger shoots and kills Ramón. You shoot to kill, you better hit the heart. "[18] Eastwood later spoke about transitioning from a television western to A Fistful of Dollars: "In Rawhide, I did get awfully tired of playing the conventional white hat ... the hero who kisses old ladies and dogs and was kind to everybody. The films are titled A Fistful of Dollars, For a Few Dollars More and The Good, the Bad and the Ugly. [9][10] Following their screening, they discussed how it could be applied into a Western setting. 26 talking about this. Cymbals crash over a piano's bass keys, amidst rumbling trumpets and trombones, and the thump of timpani. Monday 21 December 2020. With the score of A Fistful of Dollars, Morricone started his ten-year collaboration with his childhood friend Alessandro Alessandroni and his Cantori Moderni. [citation needed], The production and development of A Fistful of Dollars from anecdotes was described by Italian film historian Roberto Curti as both contradictory and difficult to decipher. [26] The poncho was acquired in Spain. Written and directed by Monte Hellman, it featured an unidentified official (Harry Dean Stanton) offering the Man With No Name a chance at a pardon in exchange for cleaning up the mess in San Miguel. The story of a gunslinger working warring gangs in … The producers later presented a list of available, lesser-known American actors and asked Harrison for advice. A wandering gunfighter plays two rival families against each other in a town torn apart by... Jump to. The Servant of Two Masters plot can also be seen in Hammett's detective novel Red Harvest. In his opinion, the American westerns of the mid- to late-1950s had become stagnant, overly preachy and not believable. [44][45] This prolog opened television presentations for a few years before disappearing; it reappeared on the Special Edition DVD and the more recent Blu-ray, along with an interview with Monte Hellman about its making. [52][53], British critic Sir Christopher Frayling identifies three principal sources for A Fistful of Dollars: "Partly derived from Kurosawa's samurai film Yojimbo, partly from Dashiell Hammett's novel Red Harvest (1929), but most of all from Carlo Goldoni's eighteenth-century play Servant of Two Masters. [50] Quentin Tarantino, prior to hosting the event, in a press-release described the film as "the greatest achievement in the history of Cinema". Another way to prevent getting this page in the future is to use Privacy Pass. [27] It was Leone and costume designer Carlo Simi who decided on the Spanish poncho for the Man with No Name. Some American critics felt differently from their Italian counterparts, with Variety praising it as having "a James Bondian vigor and tongue-in-cheek approach that was sure to capture both sophisticates and average cinema patrons".[38]. [10] Di Leo would repeat this story in a later interview saying that he was at the first meetings between Tessari and Leone discussing what kind of film to make from Yojimbo. It was also placed 8th on the site's 'Top 100 Westerns'. The theme song for Sergio Leone's film "A Fistful of Dollars" (1965). [10] Di Leo claimed that after Leone had the idea for the film, Tessari wrote the script and he gave him a hand. [48], A Fistful of Dollars has achieved a 98% approval rating out of 48 critical reviews on Rotten Tomatoes, with an average rating of 8.2/10. [25] He also brought props from Rawhide including a Cobra-handled Colt, a gunbelt, and spurs. A Fistful of Dollars is a film directed by Sergio Leone with Clint Eastwood, Marianne Koch, Gian Maria Volonté, Wolfgang Lukschy .... Year: 1964. The Stranger shoots that weapon from Ramón's hand and kills Don Miguel, Rubio and the other Rojo men standing nearby. Released in Italy in 1964 and then in the United States in 1967, it initiated the popularity of the Spaghetti Western genre. [24], Eastwood was instrumental in creating the Man with No Name's distinctive visual style. He gives money to Marisol, urging her and her family to leave the town. Consuelo, John Baxter's wife, appears and curses the Rojos for killing these unarmed family members; she is shot to death by Esteban. [34] In 1969, it was re-released, earning $1.2 million in theatrical rentals. In my analysis I will talk about the stylistic technique Mise-en-scene, but I will also inform you of the narrative techniques the film utilizes. A stranger, Joe (Eastwood), with innkeeper Silvanito (José Calvo), watches as Mexican soldiers bring a shipment of gold through San Miguel. With help from Piripero, the local coffin-maker, the Stranger escapes town, hiding in a coffin. He, too, declined, arguing that the script was bad. Both Fonda and Bronson would later star in Leone's Once Upon a Time in the West (1968). A Fistful of Dollars was released in 1964 and was directed by Sergio Leone. Completing the CAPTCHA proves you are a human and gives you temporary access to the web property. Twitter; Facebook; Linked In; James Oliver. [10] Production papers for the film credit Spanish and German writers, but these were added on to play into co-production standards during this period in filmmaking in order to get more financing from the Spanish and West German companies. A Fistful of Dollars (Italian: Per un pugno di dollari, lit. "[19], A Fistful of Dollars was an Italian/German/Spanish co-production, so there was a significant language barrier on set. [57][58] The directorial credit for Leone, which replaced the "Bob Robertson" card years ago, has been retained, but otherwise, the original credits (with pseudonyms, including "Dan Savio" for Morricone) remain the same. Leone himself believed that Red Harvest had influenced Yojimbo: "Kurosawa's Yojimbo was inspired by an American novel of the serie-noire so I was really taking the story back home again."[55]. [13][14][15][16] Leone then turned his attention to Richard Harrison, an expatriate American actor who had recently starred in the very first Italian western, Duello nel Texas. Despite the fact that even Hollywood began to gear down production of such films, Leone knew that there was still a significant market in Europe for westerns. Other actors who turned the role down were Henry Silva, Rory Calhoun, Tony Russel,[12] Steve Reeves, Ty Hardin, and James Coburn. In 2014, the film was digitally restored by Cineteca di Bologna and Unidis Jolly Film for its Blu-ray debut and 50th anniversary. Promoting A Fistful of Dollars was difficult, because no major distributor wanted to take a chance on a faux-Western and an unknown director. He then uses the last bullet in his gun to free Silvanito, tied hanging from a post. That night, while the Rojos are celebrating, the Stranger rides out and frees Marisol, shooting the guards and wrecking the house in which she is being held, creating an appearance of an attack by the Baxters. The film ended up being released in Italy on 12 September 1964,[1] which was typically the worst month for sales. A Man with No Name (Clint Eastwood) arrives at a little Mexican border town named San Miguel. Based on Akira Kurosawa's 1961 samurai picture Yojimbo, it scored a resounding success (in Italy in 1964 and the U.S. in 1967), as did its sequels, For a Few Dollars More and The Good, the Bad and the Ugly. Collectively, the films are known as the "Dollars Trilogy", or the "Man with No Name Trilogy" after the United Artists publicity campaign referred to Eastwood's character in all three films as the "Man with No Name". Sergio Leone said "That's it"[31] with Tevis claiming the tune and musical arrangements were copied for the music for the opening titles "Titoli". Kurosawa insisted that Leone had made "a fine movie, but it was my movie. WARNING: Spoilers. Each faction races to the cemetery, the Baxters to get the supposed survivors to testify against the Rojos and the Rojos to silence them; they engage in a gunfight, with Ramón appearing to kill the supposed survivors and Esteban capturing Antonio Baxter. The Stranger (in order to make money) decides to play these families against each other. [10] Bolzoni then said both he and Tessari wrote a first draft which then moved on to Leone noting that Tessari wrote the majority of the script. Esteban Rojo aims for the Stranger's back from a nearby building, but is shot dead by Silvanito. Your IP: 217.115.115.247 A Fistful of Dollars originally was called Il Magnifico Straniero (The Magnificent Stranger) before the title was changed to A Fistful of Dollars. A Fistful of Dollars was shot in Spain, mostly near Hoyo de Manzanares[7] close to Madrid, but also (like its two sequels) in the Tabernas Desert and in the Cabo de Gata-Níjar Natural Park, both in the province of Almería. Members of the Baxter gang include Luis Barboo, Frank Braña, Antonio Molino Rojo, Lorenzo Robledo, and William R. Thompkins. His approach was to take the grammar of Italian film and to transpose it into a western setting. These included Leone himself ("Bob Robertson"), Gian Maria Volonté ("Johnny Wels"), and composer Ennio Morricone ("Dan Savio"). 'For a Fistful of Dollars' titled on-screen as Fistful of Dollars) is a 1964 Spaghetti Western film directed by Sergio Leone and starring Clint Eastwood in his first leading role, alongside John Wells, Marianne Koch, W. Lukschy, S. Rupp, Jose Calvo, Antonio Prieto, and Joe Edger. While A Fistful of Dollars, one of the best Westerns of all time,was an instant smash hit overseas, American audiences had largely grown tired of the Western genre. [26] On the anniversary DVD for The Good, the Bad and the Ugly, it was said that while Eastwood himself is a non-smoker, he felt that the foul taste of the cigar in his mouth put him in the right frame of mind for his character. It was followed by For a Few Dollars More and The Good, the Bad and the Ugly, also starring Eastwood. Due to protracted legal issues over Sergio Leone's liberal appropriation of plots 'n shots from Yojimbo, the pioneering spaghetti western wouldn't be ushered into western theaters until early 1967. Ramón kills John and Antonio Baxter, after pretending to spare them. Sergio Leone ushers in an iconic Western character and gives Clint Eastwood his first headlining role in A Fistful of Dollars. Music: Main Titles (from the film: A Fistful Of Dollars, 1964). As few Spaghetti Westerns had yet been released in the United States, many of the European cast and crew took on American-sounding stage names. A Fistful of Dollars (Italian: Per un pugno di dollari) is a 1964 Spaghetti Western film directed by Sergio Leone and starring Clint Eastwood in his first leading role, alongside Gian Maria Volonté. In the depiction of one man playing two terrible gangs against one another, A FISTFUL OF DOLLARS never requires to much thinking on the viewer’s part but it doesn’t have to. [9] Following the release of Akira Kurosawa's Yojimbo in 1963 in Italy, Sergio Corbucci has claimed he told Leone to make the film after viewing the film with friends and suggesting it to Enzo Barboni. Members of the Rojo gang include José Canalejas, Álvaro de Luna, Nazzareno Natale, and Antonio Pica. Although the two themes are similar, Morricone states that he used a lullaby he had composed before and developed the theme from that. The gold is ostensibly being delivered to a troop of American … The film was initially shunned by the Italian critics, who gave it extremely negative reviews. As a movie tie-in to the American release, United Artists Records released a different set of lyrics to Morricone's theme called Restless One by Little Anthony and the Imperials. He convalesces within a nearby mine, but when Piripero tells him that Silvanito has been captured, the Stranger returns to town, to confront the Rojos. [10], Fernando di Leo also claimed authorship to the script noting that both A Fistful of Dollars and For a Few Dollars More were written by him and Tessari and not Luciano Vincenzoni. [22], A Fistful of Dollars became the first film to exhibit Leone's famously distinctive style of visual direction. A wandering gunfighter plays two rival families against each other in a town torn apart by greed, pride, and revenge. Frame-by-frame digital restoration by Prasad Corporation removed dirt, tears, scratches and other defects. If you are on a personal connection, like at home, you can run an anti-virus scan on your device to make sure it is not infected with malware. [10], Adriano Bolzoni stated in 1978 that he had the idea of making Yojimbo into a Western and brought the idea to Franco Palaggi, who sent Bolzoni to watch the film and take notes on it with Duccio Tessari. If one didn't know the actual provenance of the film, one would guess that it was a private movie made by a group of rich European Western fans at a dude ranch... A Fistful of Dollars looks awful, has a flat dead soundtrack, and is totally devoid of human feeling. Director(s): Sergio Leone. "[28], Iginio Lardani created the film's title design.[29]. The rhythm, emotion, and communication within scenes can be attributed to Leone's meticulous framing of his close-ups. Silvanito, the town's innkeeper, tells the Stranger about a feud between two smuggler families vying to gain control of the town: the Rojo brothers (Don Miguel, Esteban and Ramón), and the family comprising town sheriff John Baxter, his matriarchal wife Consuelo, and their son Antonio. Dollars Trilogy, also known as the Man with No Name Trilogy or the Blood Money Trilogy, is an Italian film series consisting of three Spaghetti Western films directed by Sergio Leone. [50], The film was effectively an unofficial and unlicensed remake of Akira Kurosawa's 1961 film Yojimbo (written by Kurosawa and Ryūzō Kikushima), lifting traditional themes and character tropes usually typified within a Jidaigeki film. [49], The 67th Cannes Film Festival, held in 2014, celebrated the "50th anniversary of the birth of the Spaghetti Western... by showing A Fistful of Dollars". Alessandroni provided the whistling on the soundtracks. • And Fistful of Dollars is an influential film for good reason: it dispensed with the somewhat simplistic take of the West that American Westerns had previously shown: for example, the hero isn't exactly white, as he has shades of grey. [17] Harrison later stated, "Maybe my greatest contribution to cinema was not doing A Fistful of Dollars and recommending Clint for the part. 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