[1] The play is attributed to William Shakespeare and John Fletcher in a Stationers' Register entry of 1653. contact us The link was not copied. This blog post series includes some details of each of those tales. That may be the most authentically Shakespearian aspect of the entire project. It's bold and brash and funny and moving. According to the footnote on page 184, The History of Cardenio is a lost play by Shakespeare inspired by the first English translation of Don Quixote. The betrayals, forced marriages, missed connections and late-night seductions that appear in the play are familiar Shakespearean themes. Gregory Baum is a PhD candidate in the department of Comparative Literature at the University of Chicago. What happens to your body in extreme heat? Fringe theatre ; Jane Eyre ; John Fletcher ; Roald Dahl ; Robin Chapman ; 202 Tags ; 1 Linking Site - Anexo:Fallecidos durante el estallido social en Chile es.wikipedia.org | 8 hours ago | Article Details | Related Articles | Share. Seventy-four years after that, playwright, editor and Shakespeare imitator Lewis Theobald published a play called Double Falsehood - based, he said, on three original manuscripts of the History of Cardenio. But the story itself comes from Miguel de Cervantes, who tells the lovers' tale intermittently throughout his epic novel Don Quixote. The History of Cardenio ; 110 Tags ; 1 Feed ; 200 Robin Chapman en.wikipedia.org | 3 hours ago | Article Details | Related Articles | Share. In 1653, the play, The History of Cardenio, appeared in a register of soon-to-be published works. Shakespeare had yet to become English literature's biggest … The 18th century playwright, Lewis Theobald, claimed that his play, Double Falsehood was based on a play by Shakespeare – lost now – called The History of Cardenio. The History of Cardenio - Wikipedia, entziklopedia askea. The History of Cardenio The History of Cardenio (Cardenioren historia), sarritan Cardenio bezala aipatua, John Fletcher eta William Shakespeareri egotzitako antzezlana da. "It's a very tricky effort, but he has recovered [some original work]," says Roger Chartier, director of the Ecole des Hautes Etudes en Sciences Sociales in Paris. Then came the larger, more complicated task of evaluating entire scenes. [1] It was attributed to William Shakespeare and John Fletcher in a Stationers' Register entry of 1653. Posted on April 18, 2012 by historyofcardenio. He's not interested in fidelity to his sources. VideoSurferâs âshockâ reunion with long-lost board, The beauty ideal fuelling an illicit drugs trade. "If you look for Shakespeare in the work of a famous imitator, you will find Shakespeare whether he's there or not.". To troubleshoot, please check our If you think you should have access to this title, please contact your librarian. (c) Copyright Oxford University Press, 2021. Other scholars are more generous. "We're talking about an archaeological exploration on the part of scholars who are trying to find remnants of that Shakespearian text," says Shapiro, author of Contested Will: Who Wrote Shakespeare? "They were living in divided world, but its at this moment those wires crossed.". "This is an informed act of speculative recreation, but it's also a bit of creative writing on his part, and it has to be understood that way.". Read about our approach to external linking. All Rights Reserved. In 1653, the play, The History of Cardenio, appeared in a register of soon-to-be published works. Published to Oxford Scholarship Online: September 2012, DOI: 10.1093/acprof:oso/9780199641819.001.0001, PRINTED FROM OXFORD SCHOLARSHIP ONLINE (oxford.universitypressscholarship.com). History of Cardenio: Is Shakespeare's lost work recovered? "Increasingly, with the availability of massive databases and more sophisticated attribution tests, the consensus is now that it's partly by Shakespeare and partly by Fletcher," says Gary Taylor, editor of the New Oxford Shakespeare. Shakespeare had collaborators and is credited alongside Fletcher, who succeeded him as the house playwright for The King’s Men, with The History of Cardenio in a 1653 register of soon to be published plays. This chapter re-examines and reinterprets key seventeenth-century documents concerning The History of Cardenio and its relationship to Cervantes, Fletcher, Shakespeare, Beaumont, the King’s Men, their composer Robert Johnson, the publisher Humphrey Moseley, and the scholar-writer Edmund Gayton. 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