It therefore denies the alienation and transcendence of social milieu that characterized modernism: "the artist and audience will seek to make 194 Linda Hutcheon ideological stance: the Venturis, in their work on Las Vegas, for instance, can be seen - as Jencks notes - to "express, in a gentle way, a mixed appreciation for the American Way of Life. Built on the Johns Hopkins University Campus. This irony, along with black Showing of 3 reviews. "The concepts of 'Modernism and 'Postmodernism' constitute the single most dominant issue of twentieth-century literature and culture and are the cause of much debate. Linda Hutcheon (b. Linda Hutcheon claimed postmodern fiction as a whole could be characterized by the ironic quote marks, that much of it can be taken as tongue-in-cheek. Stanis×awa Moniuszki w Gdańsku vkkostka-@-poczta.onet.pl Abstract Parody—a particular case of intertextuality—is an important term for scientists interested in modern and postmodern art. Linda Hutcheon: "Postmodernism is a contradictory phenomenon that uses and abuses, installs and then subverts, the very concepts it challenges—be it literature, painting, sculpture, film video, dance, television, music, philosophy, aesthetic theory, psychoanalysis, linguistics of historiography" (Linda Hutcheon). Linda Hutcheon, 'Telling Stories: Fiction and History' -- 21. Modernism \ The Concept of 'Postmodernism' ... .From Linda Hutcheon’s point of view, parody, pastiche and irony are not means for a nostalgic revisiting of the past, but they are “a value-problematizing, de-naturalizing form of acknowledging the history”[xii] and also “this parodic reprise of … The strength of Hutcheon’s theoretical model can be attributed to her appropriation of the seminal ideas of the ... Postmodernist Fiction -- 19. Of the several theorists of postmodernism, Linda Hutcheon’s highly persuasive work that appeared in 1988 under the title A Poetics of Postmodernism: History, Theory, Fiction, merits the most serious critical attention. Umberto Eco, 'Postmodernism, Irony, the Enjoyable' -- 20. 1947 as Linda Bortolotti) grew up in Toronto, where she did her honors bachelor of arts in modern languages and literatures, and where, after a master of arts in Romance studies at Cornell University, she also defended her doctorate in comparative literature. Linda Hutcheon’s Theory of Parody and Its Application to Postmodern Music Violetta Kostka Akademia Muzyczna im. Linda Hutcheon A Poetics Of Postmodernism Analysis. Linda Hutcheon-A Poetics of Postmodernism History, Theory, Fiction (1988) Linda Hutcheon, A Theory of Parody : The Teachi – Études littéraires – Érudit. In her book, “A Poetics of Postmodernism”, Linda Hutcheon identifies the term postmodernism, when used in fiction, to describe fiction that is at once metafictional and historical in the way it presents the texts and contexts of the past (Hutcheon, 40). According to LINDA HUTCHEON, one of the main features that distinguishes postmodernism from modernism is the fact the it "takes the form of self-conscious, self-contradictory, self-undermining statement" (Politics 1).One way of creating this double or contradictory stance on any statement is the use of parody: citing a convention only to make fun of it. Now, Linda Hutcheon, almost directly opposing Jameson, takes the stage. Linda Hutcheon, (born August 24, 1947) is a Canadian academic working in the fields of literary theory and criticism, opera, and Canadian Studies. Its productive-creative approach to tradition results in a modern recoding that establishes difference at the heart of similarity.
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